32,979 Free Images of Art Center

yale center for british art laid paper etchings in the yale center for british art hand-colored etching paper drawings in the yale center for british art engravings in the yale center for british art line engraving aquatint prints in the yale center for british art

Barge on the Medway with Warships Grampian and Dreadnaugh in the Background, Miles Edmund Cotman, circa 1838

etchings in the yale center for british art norwich school of painters

Design for the Grand Staircase at Buckingham Palace, South View, Thomas Stothard, 1828

architectural drawings in the yale center for british art drawings by thomas stothard

A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht, between 1675 and 1725

etchings in the yale center for british art michael vandergucht

The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John, James Gillray, 1782

etchings in the yale center for british art james gillray

drawings in the yale center for british art henry william bunbury

Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

Sketch of a Man-O-War firing Guns, Willem van de Velde the Elder

drawings in the yale center for british art drawings by willem van de velde (i)

Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent., William Dent, 1792

engravings in the yale center for british art william dent

Historically facade art nouveau

architecture building

Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796

etchings in the yale center for british art james gillray

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV, Charles Grignion the Elder

etchings in the yale center for british art charles grignion the elder

Portrait of John Moody as Foigard, Giuseppe Filippo Liberati Marchi, between 1769 and 1771

mezzotint prints in the yale center for british art giuseppe filippo liberati marchi

Mrs. Sophia (née Heywood) Musters as Hebe, Charles Howard Hodges, 1785

mezzotint prints in the yale center for british art prints by charles howard hodges

Study of a Group of Figures and a Study of a Man's Head, Benjamin Haydon

drawings in the yale center for british art benjamin robert haydon

The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

View over Windermere from above Barig, Joseph Farington

sketchbooks in the yale center for british art joseph farington

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Pilgrims Paying Their Devotion in St. Peters at Rome, David Allan, between 1773 and 1775

etchings in the yale center for british art david allan (painter)

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Studies for a Hand in The Godhead Fires, Edward Burne-Jones

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

The Funeral of the Duke of Wellington, John Everett Millais, 1852

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

'Henry IV, Part I,' Act III, Scene III, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Plate VII, Human Body, Lateral View, George Stubbs, 1804

stipple engravings in the yale center for british art romanticism

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford, Paul Sandby, 1775

engravings in the yale center for british art prints by paul sandby

The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men, Isaac Cruikshank, 1790

etchings in the yale center for british art isaac cruikshank

Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!, Isaac Cruikshank, circa 1796

etchings in the yale center for british art isaac cruikshank

Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Two Gentlemen Talking to a Seated Lady, John Everett Millais

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways, James Watson, 1762

mezzotint prints in the yale center for british art james watson (engraver)

The North Front of Sion College, London Wall as it Appeared in the Year 1800, Before it was Rebuilt, William Wise, 1815

engravings in the yale center for british art william wise

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820

aquatint prints in the yale center for british art james pollard

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1792

etchings in the yale center for british art james gillray

Design of Apollo and the Python for a Painted over-door Decoration, James Thornhill

architectural drawings in the yale center for british art baroque

Illustration for The New Doll: Let me Have It in my Own Hands, Edward Francis Burney

drawings in the yale center for british art edward francisco burney

Amateurs of Tye-Wig Music, Edward Francis Burney

watercolor paintings in the yale center for british art edward francisco burney

The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791

etchings in the yale center for british art james gillray

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing, Robert Smirke

drawings in the yale center for british art robert smirke (painter)

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body, Benjamin Haydon, between 1809 and 1811

drawings in the yale center for british art benjamin robert haydon

Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him, David Wilkie

drawings in the yale center for british art paintings by david wilkie

'Henry IV, Part I,' Act II, Scene II, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus, Robert Smirke

drawings in the yale center for british art robert smirke (painter)

The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799

etchings in the yale center for british art john cawse

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

'Henry IV, Part I,' Act III, Scene III, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

The Blind Man, John Everett Millais, 1853

drawings in the yale center for british art pre-raphaelite brotherhood,symbolism

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Family Walking in a Wood: Child Being Helped to Clamber up a Bank, James Pattison Cockburn

drawings in the yale center for british art james pattison cockburn

The Courtyard of Mr. Bank's House, Northernhay, Exeter, John White Abbott, 1816

drawings in the yale center for british art john white abbott

James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch, William Baillie, 1774

mezzotint prints in the yale center for british art william baillie (engraver)

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral, James Thornhill, between 1709 and 1717

drawings in the yale center for british art baroque

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Portrait study of John Inigo Richards, R.A., Charles Grignion the Elder, circa 1771

drawings in the yale center for british art charles grignion the elder

View across Windermere looking to the Great Island, Joseph Farington

sketchbooks in the yale center for british art joseph farington

Sacred Architecture: the South Entrance of Dukes Place, John Thomas Smith, 1814

engravings in the yale center for british art john thomas smith (1766-1833)

'Henry IV, Part I,' Act V, Scene I, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Night Walkers Brought before a Justice of the Peace, Marcellus Laroon the Younger, circa 1740

drawings in the yale center for british art marcellus laroon the younger

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

'Henry IV, Part I,' Act II, Scene II, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Sketches of Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Sketches of Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Lady Smith and Her Children: George Henry, Louisa, and Charlotte, Francesco Bartolozzi, 1789

etchings in the yale center for british art francesco bartolozzi

Mr. Burton Seated in an Armchair, His Left Foot on a Stool, Thomas Patch, 1760s

sketchbooks in the yale center for british art thomas patch

Lieutenant-General Charles Schaw Cathart, 9th Earl Cathcart, James MacArdell, 1770

mezzotint prints in the yale center for british art james mcardell

Boiler Music, Pieter van den Berge, between 1689 and 1737

mezzotint prints in the yale center for british art prints by pieter van den berge

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797

etchings in the yale center for british art james gillray

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II, Francesco Bartolozzi, 1786

etchings in the yale center for british art francesco bartolozzi

Sketches of Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Study of an Interior Room with Religious Images on the Wall Panels, Benjamin Haydon, 1806

drawings in the yale center for british art benjamin robert haydon

A View of the Great Cohoes Falls, on the Mohawk River, William Elliott, 1768

etchings in the yale center for british art william elliott (lieutenant)

The House of William Russell, Esq., Showell Green: English and French Text, William Ellis, 1792

letterpress prints in the yale center for british art william ellis (engraver)

Charles James Fox with Lady Sarah Bunbury and Lady Susan Strangways, James Watson, 1762

mezzotint prints in the yale center for british art james watson (engraver)

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall, Robert William Billings, 1835

engravings in the yale center for british art robert william billings

Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry, Samuel Rawle, 1801

engravings in the yale center for british art samuel rawle

Book of Job, Plate 6, Satan Smiting Job with Boils, William Blake, 1825

engravings in the yale center for british art romanticism,fairy painting

A Doorway in one of the Cellars Under the Old House of Lords, John Thomas Smith, 1804

engravings in the yale center for british art john thomas smith (1766-1833)

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I, Francesco Bartolozzi, 1800

etchings in the yale center for british art francesco bartolozzi

Studies of Arms and Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793

etchings in the yale center for british art james gillray

Bow and Arrow Castle, Isle of Portland, William Bernard Cooke, between 1814 and 1826

etchings in the yale center for british art william bernard cooke

An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri, Thomas Daniell, 1795

drawings in the yale center for british art orientalism

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion, John Thomas Smith, 1812

etchings in the yale center for british art john thomas smith (1766-1833)

The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker, Isaac Cruikshank, 1796

etchings in the yale center for british art isaac cruikshank

Hospice of the Great St. Bernard, Number 11 (vignette), Charles Hamilton Smith, 1830

etchings in the yale center for british art charles hamilton smith

Londres. Vue Prise de la Tour de l'Eglise de St. Paul, Henry Walter, 1860

lithograph prints in the yale center for british art henry walter

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde, Thomas Girtin, 1802

etchings in the yale center for british art thomas girtin

The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition., James Gillray, 1795

aquatint prints in the yale center for british art james gillray

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching), Benjamin Haydon, between 1809 and 1811

drawings in the yale center for british art benjamin robert haydon

The Murder of Duncan - Macbeth Stabbing Duncan, Benjamin Haydon, between 1809 and 1811

drawings in the yale center for british art benjamin robert haydon

O Evening thou Bringest All, Henry Fuseli, 1802

prints in the yale center for british art romanticism,fairy painting,neoclassicism

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